SHAPE
Sharing the Pronoun.
Extreme violence, social resistance and the shaping of cultural memory in Spanish American contemporary documentary poetry

Overview

SHAPE proposes a new cultural approach to the study of 21st century Spanish American documentary poetry as a form of social and community resistance in the shaping of a shared memory about extreme violence in Latin America.

This is a peculiar type of poetry using in the very body of the poem a variety of ethnographic, historical (archive texts, chronicles), visual, audio-visual, and virtual documents that have not been created by the poet.

The use of those texts in an intimate and non-mimetic code such as poetry determines a stylistic short-circuit that has developed, in different forms, across all Latin America. 

Poetry against violence - Shape

In this context, documentary poetry has been commonly used to verbalise the tragic consequences of the systemic institutional and non-institutional forms of violence against women, migrants, indigenous or LGBTQ+ people. In spite of the key social function this poetry has assumed in Latin America in recent years, no comprehensive study has been produced on it yet. SHAPE aims to fill this gap by building a model of interpretation of documentary poetry not only as an aesthetic expression, but also as a powerful tool to preserve and construct social memory about suffering

To that aim, SHAPE intends to adopt an interdisciplinary methodological approach involving literature, cultural studies, cultural history, and ethnography, in order to investigate how this poetry contributes to the processes of resistance to extreme violence. The aim is to generate a new cross-cultural conceptual reflection on how to view the problem of social and institutional violence in Latin America and how to use literature to resist new forms of racial and social discrimination. The project will be developed in collaboration with Ca’ Foscari University of Venice and the University of North Carolina at Chapel Hill.

 

César Pérez, CC BY-SA 4.0, via Wikimedia Commons

Objectives

SHAPE is the first study investigating Spanish American documentary poetry about extreme violence from a cultural point of view. The overall objective is to determine the ability of this poetry to build and preserve social memory about violence by acting as a form of social and political resistance

To that aim SHAPE will investigates the following specific objectives:

  • The ontological status of documentary poetry as a form of engaged art and its political and social function. SHAPE will investigate the relationship between documentary and poetry, as well as the concept of use of factual elements, which determines the artistic dimension of documentary poetry1. Discussing those concepts will be vital to understand the crucial intertextual movement of appropriating and dis-appropriating the voice of the other.
  • How this function developed in Spanish America as a tool for building a shared cultural memory about violence and shaping vulnerable subjects’ identities, such as women, migrants, indigenous, and LGBTQ+ people. From the point of view of Cultural History, the project investigates the relationship between violence, body, language and representation in order to establish how documentary poetry contributes to the construction of vulnerable subjects’ identities as well as to the urgent need for building a shared cultural memory. This specific function of documentary poetry has led to the rise of social practices outside academia, such as workshops involving the general public. From an ethnographic perspective, these represent an occasion for shared experiences of social writing. 
  • The stylistic peculiarities of a corpus of contemporary Spanish American documentary works in order to build a model of interpretation of 21st Spanish American documentary poetry about violence through the textual and socio-political analysis and interpretation of these works. The project will focus on how those poets use specific strategies such as intertextuality, intermediality, defamiliarization, use of archive and ethnographic sources. Such a model will demonstrate how documentary poetry is able to become a form of political practice.

Corpus

  1. Balam Rodrigo: "Libro centroamericano de los muertos", Mexico 2018. This book investigates the violence suffered by Central American migrants going to the US by formally articulating poetry as a palimpsest of colonial chronicles
  2. Jacqueline Goldberg: "Nosotros los salvados", Venezuela 2013. This work creates poems from the archive testimonies of Jewish refugees survivors to the Holocaust
  3. Viviana Ayilef: "Cautivos", Argentina 2013. This book discusses institutional violence against citizens by creating a complex intertextual network of articles from the news and products of social mobilisation
  4. Estefanía Ciro Rodríguez: "Artefactos explosivos inmateriales", Colombia 2018. This work comes from the author’s ethnographic studies about the resistance history of cocaleras (women working in the Colombian coca fields)
  5. Cristina Rivera Garza: "La imaginación pública", Mexico 2015. In this work, the author discusses violence against women using a collective work (Wikipedia pages) to describe her physical illnesses
  1. Luis Felipe Fabre: "La sodomía en la Nueva España", Mexico 2010. This book creates a relationship between the voice of the poems and some extracts of the Colonial Inquisition documents about tortures and executions against homosexuals
  2. Hugo García Manríquez: "Anti-Humboldt. Una Lectura del Tratado de Libre Comercio de América del Norte", Mexico 2014. In this book, the author tackles the problem of the social violent impact of NAFTA by using the text of the law to create a poetical counter-text, which questions the legal text by using its own language
  3. Paul Guillén: “Sisma: Poema documental”, Perú 2022. Starting with the Pisco earthquake that occurred in 2007 as a point of departure, in this experimental book, the author creates a complex relationship with the poem and a variety of documents (press release, testimony, pictures) to explore Peruvian identity and history, with a specific focus on Fujimori dictatorship as well as violence against migrant and indigenous people

Activities

Publications

Keynote speaker

file pdf 6-7 Jun, 2024: Graduate Conference “Forme e pratiche di resistenza e coesistenza in letteratura, linguistica e traduzione”, Università di Bologna [ITA]
Keynote presented: Po(li)e(ste)tiche al margine. La letteratura documentale come resistenza nel XXI secolo
557 KB

Conferences organized

Conferences attended

file pdf 16-19 Sep, 2024: International Congress LaRed/GIMAL “Testimonio y ficción en América Latina en el siglo XXI”, Università di Bologna [SPA]
Paper presented: “Docutestimoniar” el trauma. El estamento ontológico de la poesía documental contemporánea como forma de arte entre testimonio, documento y archivo
3 MB
file pdf 17-19 Jun, 2024: VII International Congress of Associazione Italiana Studi Iberoamericani “Sorriso amaro: reflexiones sobre el humorismo en América Latina”, Università di Napoli L’Orientale [SPA]
Paper presented: El Perú del nuevo milenio o la risa de la catástrofe. Poéticas del humor y de la ironía en “Sisma” de Paul Guillén
943 KB
file pdf 13-14 Jun, 2024: III congreso internacional “El camino por recorrer es amplio’: Escritoras latinoamericanas entre mundos”, Ca' Foscari University of Venice
Paper presented: “La coca camina la tierra tiembla”: resistencias explosivas inmateriales de las cocaleros del Caquetá en la poesía etnográfica de Estefanía Ciro Rodríguez
250 KB
file pdf 12-15 Jun, 2024: LASA2024 “Reacción y Resistencia: Imaginar Futuros Posibles en las Américas”, Pontificia Universidad Javeriana, Bogotà [ENG-SPA]
Paper presented: “La coca camina, la tierra tiembla”. Resistencias explosivas inmateriales de los cocaleros del Caquetá en la poesía etnográfica colombiana contemporánea
6 MB
file pdf 9-10 Nov, 2023: International Congress “Desde los márgenes: retos,devenires, representaciones”, Università di Verona [ITA-SPA]
Paper presented: Estéticas al margen. Violencia y resistencias en la poesía documental hispanoamericana contemporánea
558 KB
file pdf 18-20 Sep, 2023: V International Congress CRISA “Archivi americani: virtualità, memoria, archeologia mediale”, Università degli Studi Roma Tre [ITA]
Paper presented: “Me llamo cuerpo que no está”. Documentalidad, virtualidad y memorias del dolor en el poemario “La imaginación pública” de Cristina Rivera Garza
615 KB
file pdf 19-20 Jun, 2023: II International Congress “Siempre estuvimos, ahora nos pueden ver: las escritoras latinoamericanas en el canon literario actual” [SPA]
Paper presented: El cuerpo negro de la poesía. Voz y resistencia de las mujeres afroperuanas entre siglo XX y siglo XXI
546 KB
file pdf 7-9 Jun, 2023: X Annual Conference of the Italian Society for International History - SiSi [ITA]
Paper presented: Testo contro testo. Il Trattato di Libero Commercio tra violenza politica e capitale: una discussione a partire dalla poesia documentale di Hugo García Manríquez
607 KB

Seminars

file pdf 24 Oct, 2024: Seminar Di-Versificando: poesia, traduzione, editoria. Università di Bologna [SPA]
Paper presented: Corpo-poetiche del dolore. La poesia testimoniale ispano-americana del XXI secolo
2 MB
file pdf 17 Oct, 2024: Seminario de Literaturas Hispanoamericanas, Università degli Studi di Milano. Full Professor: Tania Pleitez Vela [ITA]
Paper presented: “¿Por qué no preguntar quién carajos habla?” Necroescrituras o del escribir desapropiadamente
421 KB
file pdf 11 Oct, 2024: Seminario de Literaturas Hispanoamericanas. “Una conversación con Hugo Jamioy, poeta del pueblo kamëntsá. Poesía amazónica colombiana: oralitura y palabras de las plantas”, Università degli Studi di Milano [SPA] 876 KB
file pdf 21 Aug, 2024: Conversatorio La poesía de la violencia en Latinoamérica. Testimonio, poesía documental y memoria [SPA]
Universidad Central, Bogotá, Colombia
395 KB
file pdf 26 Jul, 2024: Semillero de Estudios Literarios Latinoamericanos y del Caribe (ESLILAC), Referente Juan Esteban Villegas Restrepo [SPA]
Universidad Pontificia Bolivariana, Medellín. Paper presented: Poesía documental latinoamericana del siglo XXI: entre los trabajos de la memoria y la resistencia social y comunitaria
1,005 KB
file pdf 22 May, 2024: Ciclo Seminari Primavera, Dottorato in Lingue e Letterature Straniere [ITA]
Università di Verona. Paper presented: “Un poema es parte documental parte infierno”. Approssimazioni teorico-metodologiche all’analisi della scrittura documentale
2 MB
file pdf 18 May, 2024: Seminario per il modulo livello magistrale IANUA-ISUPAC “Violenza, resistenza e memoria in America Latina tra XX e XXI secolo”, Referente Fulvia Zega [ITA]
Università degli Studi di Genova. Paper presented: Narco-rappresentazioni: il Messico contemporaneo tra vittimizzazione ed esoticizzazione della violenza
2 MB
file pdf 17-18 May, 2023: International Seminar “Colombia. Narrare la guerra, pensare la pace” [ITA]
Università di Torino. Paper presented: La coca cammina, la terra trema. Resistenze esplosive immateriali dei cocaleros del Caquetá nella poesia etnografica di Estefanía Ciro Rodríguez
3 MB
file pdf 13 Feb, 2023: Intertextualidad y poética en la obra de Cristina Rivera Garza [SPA]
Universidad de Monterrey
218 KB

Workshops

file pdf 10 Aug, 2024. Taller de extensión de escritura creativa “A escribir se dijo” [SPA]
Universidad de Tolima, Biblioteca Municipal Quinta de Samper
995 KB
file pdf 20-21 Nov, 2023. “A_E__CA L_TI_A Taller cultural sobre un lugar que un tiempo estuvo allí” [SPA]
Università di Padova. Paper presented: Si América Latina fuera un juego sería un cadáver exquisito
4 MB

Invited lessons

  • 4 Nov, 2024. SPAN 301 Introduction to Literary and Cultural Analysis (Undergraduate Level), Full Professor: Israel Pérez Medina, University of North Carolina at Chapel Hill. Paper presented: La poesía documental hispanoamericana del siglo XXI
  • 8 May, 2024. Storia e Istituzioni dell’America Latina (Graduate Level), Prof. Luis Fernando Beneduzi, Università Ca’ Foscari Venezia. Paper presented: La letteratura afroispanoamericana contro il dispositivo di vittimizzazione
  • 6 Feb, 2024. SPAN 835.001: Gender Troubles. Latin American Women Writers of the 21 Century (Graduate Level). Full Professor Oswaldo Estrada, University of North Carolina at Chapel Hill. Paper presented: “La Reclamante”. Violencia y resistencias en la poesía documental de Cristina Rivera Garza
  • 4 Dic, 2023. SPAN 835: 2020, 1920, 1820. Literature and Society in Three Spanish American Moments (Graduate Level), Full Prof Juan Carlos González Espitia, University of North Carolina at Chapel Hill. Paper presented: “En el teocalli de Cholula”, Poetry and Society in José María Heredia
  • 3 Nov, 2023. SPAN 329: Spanish for Professional and Community Engagement, Professor: Dr. Jhonn Guerra Banda. University of North Carolina at Chapel Hill. Paper presented: The Idea of Latin America between Exoticization and Victimization
  • 17 Oct, 2023. ROML 55H: Writing with an Accent: Latino/a Literature and Culture (Undergraduate level), Full Prof Oswaldo Estrada, University of North Carolina at Chapel Hill. Paper presented: Latin American Afro-Feminism and the Afrodescendant Poetic Voice
  • 21 Apr, 2023. Storia e Istituzioni dell’America Latina (Graduate Level), Prof. Luis Fernando Beneduzi, Università Ca’ Foscari Venezia. Paper presented: La letteratura afroispanoamericana contro il dispositivo di vittimizzazione

Outreach

file pdf 24 Aug, 2024. Cultura ES Comunidad ES Resistencia. Taller de lectoescritura [SPA]
Semillero Obreros De Dios, Cazuca, Soacha (Cundinamarca)
940 KB
  • 22 Aug, 2024. Interview with Henry Alexander Gómez, Diego Velásquez Rendón and Fabio Delgado Micán.
    Radio Program “CELEE Cultural”: Poesía, violencia y documental. URRadio, Universidad del Rosario Radio, Bogotá
file pdf 27 Oct, 2023. A conversation with Oswaldo Estrada
Author of “Tus pequeñas huellas”, Epilogue Books Chocolate Brews, Chapel Hill, North Carolina
613 KB

Press and other media

Team

Laura Alicino

Principal Investigator 

Luis Fernando Beneduzi

Supervisor at Ca’ Foscari University of Venice

Oswaldo Estrada

Supervisor at the University of North Carolina at Chapel Hill

Partner

The University of North Carolina at Chapel Hill