LAW-LOVE
The origins of the legal protection of the heritage in 15th- to 18th-century Europe

Project

What is LAW-LOVE?

Tracing the origins of the protection of the historic and artistic heritage, by studying the legislation issued on the safeguard of monuments and artworks in 15th- to 18th-century Europe

The process of construction of a strong European identity and awareness is supposed to include shared practices to protect the monumental, historic and artistic heritage which is spread throughout the countries of the European Union. As a substantial evidence of the European past, individuality and ethos, our heritage requires unfailing activities of maintenance and restoration, as well as clear rules and procedures devoted to its legal protection and tutelage.

At present day, the policies to preserve and supervise the archaeological, historic and artistic heritage in Europe are essentially delegated to the Member States in which these evidences are respectively located. This means that, apart from the wider UNESCO Conventions, the UNIDROIT resolutions on the stolen and illegally exported artefacts, the chart on the architectural heritage, and the pact on the archaeological heritage, common European guidelines to preserve, catalogue, restore, administer, supervise and document the visual and material works of our past are lacking.

Athens, Greece. The Propylaea and the Temple of Athena Nike on the renowned Acropolis have undergone recently large restoration works (2009). The project is co-founded by EU and Greece.
Athens, Greece. The famous Parthenon on the Acropolis during the recent work of restoration (2014). The project is co-founded by EU and Greece.

LAW-LOVE is a European Union’s Horizon 2020 – Marie Skłodowska-Curie Action, coordinated by the University Ca’ Foscari of Venice (Grant Agreement No. 837857). In the perspective to create a shared protocol to catalogue the heritage in Europe, and to standardize its related activities of conservation and safeguarding, LAW-LOVE intends to establish a cultural and historic foundation to promote such a new common practice. The project deals with an ultimate analysis of the old laws that were issued on the protection of artworks and monuments in the early-modern and modern European countries (1400s-1700s). The overall objective is to develop a comparative examination of this early legislation within a juridical, cultural and art-historical perspective, in order to understand the systems established in 15th- to 18th-century Europe to administer, supervise, protect, conserve, maintain, classify and document what was thought of as “heritage” in each different region.

This website aims to contribute to the circulation of the awareness on the need to protect the heritage at a European Union level, that is, within its specific context but following shared practices and agreements. For this reason, the website is updated regularly with the latest research results and the planned communication activities.

Outlining the earlier protection of the “heritage” in Europe

Before observing what happened in Europe between the early 15th and the late 18th century, it should be remarked that former rules on the “heritage” safeguard had been established in the Late Roman Empire to limit the uncontrolled reuse of the ancient spolia of Rome and Athens. Similarly, in the Middle Ages a few bills were issued to protect single highly-significant monuments – such as the Trajan Column and certain churches – from destruction in Rome and some towns in Spain. By contrast, the regulations issued between 1400s and 1700s consent to understand both the analogies and the differences in the early systems set up to protect the “heritage” in the different states, and the origin of a widespread awareness on the need to protect the “local glories” within each region.

Carel Allard, "Chart of Europe in the eighteenth century", copperplate print, late 1600s.

Research

What does LAW-LOVE deal with?

LAW-LOVE is a European Union’s Horizon 2020 – Marie Skłodowska-Curie Action, coordinated by the University Ca’ Foscari of Venice (Grant Agreement No. 837857). The project deals with a fundamental analysis of the old laws that were issued on the protection of artworks and monuments in the early-modern and modern European countries (1400s-1700s). The overall objective is to develop a comparative examination of this early legislation within a juridical, cultural and art-historical perspective, in order to understand the systems established in 15th- to 18th-century Europe to administer, supervise, protect, conserve, maintain, classify and document what was thought of as “heritage” in each different region. One of the main results of the project is to make available to the wide community these old laws, thanks to their translation into English.

"PLACAT", Decree regarding old monuments and antiquities, Sweden 1666.
"REAL CEDULA", Instruction to collect and preserve the ancient monuments, Spain 1803.
Pisanello, "Portrait of Pope Martin V Colonna", painting, early 1400s. Martino V (1417-1431) issued the oldest bill of the early-modern era – the "ETSI DE CUNCTARUM" – to protect the ancient monuments of Rome in 1425.
Mariano Salvador Maella, "Portrait of Charles III of Bourbon", oil on painting, 1783-84. Charles of Bourbon, issued the "PRAMMATICA LVII" and "PRAMMATICA LVIII" to protect the artefacts in the Kingdom of Naples and Sicily in 1755.

What does LAW-LOVE involve?

The core investigation of the project focuses on:

  1. The cultural and conceptual foundation of the law: the comparative analysis of the regulations, edicts, and laws issued in different epochs and countries in Europe consents to uncover the origins of the concept of “heritage” as we currently understand it. The comprehension of the historical lexicons in different times and geographies also allows to trace the development of the interconnected definitions of “monument”, “movable artwork”, “portable painting”, “antiquity”, “monumental area”, and so forth, in the early juridical systems in Europe.
  2. The first systems of administration and supervision of the “heritage”: the interdisciplinary study of the corpus of law brings to light the earlier organisms appointed to implement the regulations – and thus to protect the artefacts in each European country. This include historical data related to the very first establishment of managerial figures, such as inspectors, commissaries, commissions, keepers, officers, guardians, and so forth.
  3. The early legal instruments/apparatuses conceived to protect the “heritage”: the interconnected juridical, cultural and art-historical perspective consents to gather and compare data related to the tools prescribed to put the law into effect in each European area: catalogues, inventories, the right of first refusal, instructions to restore the artefacts, procedures of inspection, standards to supervise the sales in the art market, and so forth.
Raphael, "Self-portrait", tempera on panel, 1504-06. Raphael, the renowned renaissance artist, was appointed as the first “Inspector for the Fine Arts” of Rome by Pope Leo X Medici in 1515.
Diego Velasquez, "Self-portrait", oil on canvas, 1645. The baroque painter Velasquez was appointed as restorer and conservator of the Royal Collections of the Spanish crown by King Philip IV as early as 1640.
Unknown artist, "Portrait of Anton Maria Zanetti the Younger", copy of the gravestone picture, after 1778. The Venetian artist Anton Maria Zanetti compiled one of the earliest systematic art catalogues in the word in 1773, recording data of the “public painting collections” of the Republic of Venice.
Unknown artist, "Portrait of Johannes Bureus", painting, 1627. The Swedish runologist and mystic Johannes Bureus was appointed as Antiquarian of Sweden by King Gustav Adolphus II in 1622.

What are LAW-LOVE expected results?

At present day, LAW-LOVE is bringing about the following results, which possibly will expand further in the forthcoming research phases:

  • Make accessible the old laws and regulations to the wide European community, by translating them from their respective original languages (Vernacular, Latin, early-modern Italian, Spanish, German, Swedish, Danish, etc…) into English.
  • Identify the cultural inferences of the early-modern and modern laws in the development of a wide, consistent, fully-inclusive concept of “heritage” – as we currently appreciate it.
  • Understand the first practices set up to administer, protect, supervise, preserve, restore, classify and record what was thought of as “heritage” in various geographic areas of Europe between 1400s and 1700s.
  • Establish a new state-of-the-art, exploring new research perspectives and interdisciplinary possibilities in the fields of Art History, History of Restoration, Legal History, Comparative Law, History of Administration, Cultural History, and possibly even more.
  • Contribute to European Union policy-making in the field of the heritage protection, laying the foundations to create the first shared EU regulation to catalogue, restore, administer, protect and document the material and visual heritage of Europe.
"Fauno Barberini", Munich Glyptothek. CC BY-SA 3.0, via Wikimedia Commons.
"Mona Lisa", by Leonardo da Vinci. Public domain, via Wikimedia Commons.
"The Wedding at Cana", by Paolo Veronese. Public domain, via Wikimedia Commons.
Parthenon east pediment, © Marie-Lan Nguyen. Via Wikimedia Commons.

Outreach

Covid-19 emergency updates

Due to the restrictions to interactions and social distancing, Ca’ Foscari University has cancelled or moved online several events related to research communication, such as the great “Venetonight – Researcher’s Night”. While this circumstance has affected the events that were included in LAW-LOVE’s calendar, we believe that such temporary restrictions are for a greater benefit and purpose. We hope to be able to offer museum tours, exhibitions and public speeches soon.

Forthcoming book: “Artistic canons and legal protection”

Chiara Mannoni’s “Artistic canons and legal protection. Developing policies to preserve, administer and trade artworks in nineteenth-century Rome and Athens” is expected to be available to the broad public in spring 2021, as part of the publication series of the Max-Planck Institute for European Legal History of Frankfurt. The first part of the book, “Early legislation on heritage protection”, is constructed on the latest results of LAW-LOVE.

Conference 2021: “Art / Law / Restoration” (program in progress)

  • Proposed dates: 8-9th July 2021
  • Proposed location: Ca' Foscari Palace (Aula Baratto)
  • Proposed title: “Art / Law / Restoration. Europe and the early practices of the heritage protection”

Team

Who are we?

Chiara Mannoni

Marie-Curie research fellow

Maria Chiara Piva

Project supervisor

Amedeo Ceresa Genet
Amedeo Ceresa Genet

English language specialist

Short bio

The English language specialist in the project is Amedeo Ceresa Genet, a free-lance Italian-American translator and instructor of English for the Cambridge ESOL exams. Since 2009 Amedeo has been working as interpreter, teacher, examiner, proofreader, and professional translator in several schools and touristic centers in the province of Rome, travelling to the US as tour guide several times. He has specific interests in translation techniques, sectorial languages, grammatical and semantic instruments of interpretation, and comparative phraseology, particularly applied in translations related to philosophy, history and the arts.

Eugenia Delaney

Financial manager
All the department administrators provide support to: research management, missions abroad, publications, copyrights, technical and administrative issues

How can I collaborate to LAW-LOVE?

If you have any interest in the history of the heritage protection and restoration, or any suggestion, curiosity, opinion on the topics covered by LAW-LOVE, please contact the researcher Dr. Chiara Mannoni via e-mail: chiara.mannoni@unive.it.